ARICIANO.EARTH

Ari Melenciano
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[Selected Works]


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2025 
The Age of Black Metal
InnerCodex
Birds of Unfeathered
Cybernetics of Consciousness
Cosmeage
Armenia Pavilion - Venice Biennale
Symphosynthesis
Critical Imagination


2024 

Black Metal Starship Program
Keynotes - Art/Research
Sundance: New Frontier


2023


Theater of Meta-Interiority, Ensemble
Forces of Thought: Interview
Paradoxical Intelligence
Sentient Code
Symphosynthesis de Otzkö Kazo
Celestial Florilegia



2022

Computational Anthropology
Synthesized Portraiture
To Sift
Finger User Interface (FUI)
Traveling the Interstitium with Octavia Butler



2021

Bailaura



2020

Electrocology of Sound Travel
u¨Tu
Metamorphosis.FM







BIO
Ari Melenciano is an artist and researcher whose practice investigates cultural behavior as a dynamic cybernetic field. She positions the self as an epistemic and ontological site, serving as a centrifugal point of societal inquiry. Her practice also elevates invisible intelligences, recognizing them as co-authors of perception. Whether she is composing botanical soundscapes or crafting intuitive choreographies to use the body as a cultural research instrument, her works design new grammars for understanding existence while reconsidering ancestral practices. Ari's inquiries invite us to navigate imagination as simultaneously a tool to excavate interiority, expand the performance of culture, and recover what the archive has forgotten.


She has taught courses in new media technologies, design, critical theory, and culture across NYU, the Pratt Institute, Hunter College, Parsons School of Design, and Rutgers University. Her work has been exhibited at the Museum of Modern Art, the Studio Museum in Harlem, Venice Biennale, Sundance Film Festival, and the Museum of the Future in Dubai.  And, she is the founder of Afrotectopia, a pioneering social institution that cultivates and expands Black imagination and culture at the nexus of art, design, and technology. Afrotectopia has taken the form of festivals, think tanks, an international fellowship, multi-university incubator, and speculative design book publisher. 


Previously, she worked as a creative technologist at Google’s Creative Lab, where she contributed to projects ranging from machine learning on fingertip-scale hardware to creative direction for the Google for Africa campaign, and generative AI research strategy.


Mediums &
Methods of inquiry
Technoculture, cybernetics, AI, phenomenology,
identity, consciousness, systems theory, mythopoesis, ancestral intelligence, motion capture performance, dance, cinema, sound design/composition, and Black cultural archives


WritingCulture is the Cybernetics of Consciousness


Paradoxical Intelligence


Computational Anthropology and Exploring Identity through Artificial Synthesis


Terms Created:


























































Symphosynthesis (n.): An emergent form of sonic composition arising through interaction between botanical electromagnetic behavior and human sound modulation, translating plant energy into generative soundscapes. Rooted in both technological and ancestral sonic practices, Symphosynthesis frames plants simultaneously as collaborators and interlocutors in a shared field of consciousness. It mirrors the transference of energy in photosynthesis, transforming invisible life processes into audible experience, and operates as a ritual technology for bridging human and nonhuman perception.

Synonyms: Biosonification, Bioelectrical signal transduction



Meta-Interiority (n.): the recursive practice of observing and analyzing one’s internal states with awareness of the act of observation itself. It describes a layered consciousness in which the self is both the site of experience and the analyst of that experience. This mirrors the shift from first- to second-order cybernetics — where feedback systems are not only observed but understood as including the observer — creating an interior feedback loop of perception, reflection, and meaning-making.

Synonyms: Reflexivity, Metacognition, Second-order observation, Phenomenological reflection


Terms Redefined:Computational Anthropology: the study of how computational systems perceive and model human identity and culture through the data we produce and the frameworks we design. This practice reverse-engineers the machine’s gaze to expose the feedback loops between the mechanomorphic legibility of human behavior and the anthropomorphic metadata that, in turn, shapes our social imaginaries.

Exhibited atMontclair State Gallery (2025), Black Beyond + Pioneer Works (2025), Kinfolk + Brooklyn Bridge Park (2025), Venice Biennale in Architecture (Armenia’s Pavilion, 2025), The Bronx Museum of Art (2025), Museum of Modern Art in NYC (2025), Museum of the Future in Dubai (2024), Montclair State Gallery (2023), The Museum of Moving Image (2022), Sundance Film Festival | New Frontier (2021), and The Studio Museum in Harlem (2020), New York University (2018), University of Maryland (2014)



Awarded by
The Eames Institute’s Curious 100 (2025), Ford Foundation (2021-2024), USA Artists Fellowship Nomination (3x - 2021-2024), New York University’s President's Service Award (2018), Tisch School of the Arts Dean Fellowship (2017), Urvashi Vaid / Melinda Paras Inclusive Programming Award (2018), and (unexpectedly) the Bollywood Film Festival for Best Cell Phone Cinema Short (2018)



Teaching
From 2018-2025, Ari has taught 26 predominately graduate-level university courses at New York University’s Interactive Telecommunications Program (ITP), Department of Photography (DPI), and the Interactive Media Arts (IMA) Low Res Program | Pratt Institute‘s Communication Design Program | Hunter College’s Integrated Media Arts (IMA) Program | The New School’s/ Parson’s School of Design Transdisciplinary Design Program | University of Maryland’s Studio Art and Immersive Media Design (IMD) Program | and Rutgers University’s School of Design


Courses she has designed and taught include: Designing Club Culture (NYU), Electrotecture (NYU), Afrotectopian Ecologies (NYU), Sounds of a Revolution (Hunter), Myth, Rituals, and Sound (Hunter), Creative Experiments with AI (UMD) 



Keynote/
panelist
SXSW, MozFest, Google Design’s SPAN, Harvard, MIT Media Lab, SVA, Rochester Institute of Technology, University of Oregon, Fordham,  ArtCenter, California College of the Arts, Carnegie Mellon University, DePaul University, the Pratt Institute, Univ. of Wisconsin, University of Chicago, University of Tennessee, Georgia State, Geneva School of Design, Pacific Northwest University, Whitman College, SUNY Fredonia, Queens College, Wesleyan University, University of Denver, Today at Apple (5th Avenue, NYC), Dubai Future Forum, Sundance Film Festival, NYC Design Pavilion, Simons Foundation, EYEO, Knight Foundation, New Museum,  Anderson Ranch Arts Center, IDEO, Code/Art, Cooper Union, Black Portraitures, TUMO, Eyebeam, ACM Symposium on Computational Fabrication,  International Center of Photography, Iterations.Online, Women of Color in Engineering Collaborative, Design Academy Eindhoven (Netherlands), The Apollo Theater, Instrument, Kinfolk Foundation x  Brooklyn Bridge Park, Montclair State University, Futuresss



Residencies/
Fellowships

Pioneer Works’ Working Artist Fellowship (2025), University of Maryland’s Inaugural Arts for All Artist-in-Residence (2024), ONX New Media Artist (2020), New York Live Arts Artist in Residence (2020), Maryland Institute College of Art Artist-in-Residence (2020), New York University’s Tisch School of the Arts Inaugural Future Imagination Fund Fellow (2020), New York University’s Interactive Telecommunications Graduate Program Human-in-Residence (2020), Pioneer Works Technology Resident (2020), Eyebeam’s Rapid Response Artist Fellow (2020), New Inc + Nokia Bell Labs + Rhizome Experiments in Arts and Technology Artist (2019), Culture Hub Technology Resident (2019), Laundromat Project Create Change Fellow (2019), University of Denver’s Center for Open Source Arts Inaugural Contributor-in-Residence (2019), New York University’s Interactive Telecommunications Program “Postdoc” Research Fellow (2019), Processing Foundation Fellow (2018)               


Juried
Prix Ars Electronica, New Media Animation (2024, 2025)

Creative Capital Award Panels (2020–2022)

Interaction Design Awards (IxDA) Jury (2020)

United States Artists, Knight Art + Tech Fellowship (Inaugural Jury)



Commissions / Consulting
The New York Times (Animation Artist)

GIPHY (Animation Artist)

The National Endowment for the Arts (Writer)

Carnegie Museum of Art (Writer)

Vera List Center for Art and Politics, The New School (Writer)

NYC Department of Education (Curriculum Advisor)

Creative Capital (Community Design Consultant)

Apple’s Made in NYC Mentorship Program (Mentor)









Last Updated 25.7.1
Metamorphosis.FM2020






Metamorphosis.FM is a multi-modality webVR healing environment. Based off of research on Eastern and African diasporic sound techniques and psycho-geography.

Website, here.










© ARICIANO 2025