Ari Melenciano is a research artist who studies and designs the conditions through which culture, perception, and intelligence take form. Across language, software, sound, image, and space, she builds conceptual instruments for examining and reworking the relations between human and computational systems.
Mediums & Areas of Inquiry Computational systems, technoculture, pedagogy, design, cybernetics, phenomenology, Black cultural archives, perception modulators.
(extended list) Vocabulary Terms (Re)defined: I use these terms to label practices and frameworks I utilize. These term names have a longer-standing history, and I have substantially redefined their applicability by considering them contemporarily, culturally, and technologically:
Computational Anthropology:
A reverse engineering of the machine’s gaze to study, investigate, and reveal human behavior.
Critical Imagination:
Engaging with AI and advancing forms of technoculture with a balance between criticality (ethics, bias, societal-implication) and imagination (playful, possibility, creativity).
Embodied Mathematics: Recognizing bodily movements as patterned gesture that is culturally learned, and becomes subconscious computation. It is particularly witnessed in dance, sport, cadence, and body language.