ARICIANO.EARTH


Ari Melenciano
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[Selected Works]






2025
 
The Age of Black Metal
InnerCodex
Birds of Unfeathered
Cybernetics of Consciousness
Cosmeage
Armenia Pavilion - Venice Biennale
Symphosynthesis
Critical Imagination












2024
 
Black Metal Starship Program
Keynotes - Art/Research
Sundance: New Frontier
Theater of Meta-Interiority, Ensemble


         





2023
 

Forces of Thought: Interview
Paradoxical Intelligence
Sentient Code
Symphosynthesis de Otzkö Kazo
Celestial Florilegia



 







2022


Computational Anthropology
Synthesized Portraiture
To Sift
Finger User Interface (FUI)
Traveling the Interstitium with Octavia Butler




   

               



2021


Bailaura












    
2020


Electrocology of Sound Travel
u¨Tu
Metamorphosis.FM








BIO




Ari Melenciano is an artist and researcher whose practice investigates cultural behavior as an emergent cybernetic field. 

She has taught courses in new media technologies, design, critical theory, and culture across New York University, the Pratt Institute, Hunter College, Parsons School of Design, University of Maryland, and Rutgers University. Her work has been exhibited at the Museum of Modern Art, the Studio Museum in Harlem, Venice Biennale, Sundance Film Festival, and the Museum of the Future in Dubai.  And, she is the founder of Afrotectopia, a pioneering social institution that cultivates and expands Black imagination and culture at the nexus of art, design, and technology. Afrotectopia has taken the form of festivals, think tanks, an international fellowship, multi-university incubator, and speculative design book publisher. 

Previously, she worked as a creative technologist at Google’s Creative Lab, where she contributed to projects ranging from machine learning on fingertip-scale hardware to creative direction for the Google for Africa campaign, and generative AI research strategy.



Approach
She positions the self as an epistemic and ontological site, serving as a centrifugal point of societal inquiry. Her practice also elevates invisible intelligences, recognizing them as co-authors of perception. Whether she is composing botanical soundscapes or crafting intuitive choreographies to use the body as a cultural research instrument, her works design new grammars for understanding contemporary existence by reconsidering ancestral practices. Ari's inquiries invite us to navigate imagination as simultaneously a tool to excavate interiority, expand the performance of culture, and recover what the archive has forgotten.



Mediums &
Methods of inquiry
Technoculture, cybernetics, AI, phenomenology,
identity, consciousness, systems theory, mythopoesis, ancestral intelligence, motion capture performance, dance, cinema, sound design/composition, and Black cultural archives


WritingCulture is the Cybernetics of Consciousness


Paradoxical Intelligence


Computational Anthropology and Exploring Identity through Artificial Synthesis


Terms Created:


























































Symphosynthesis (n.): A ritualistic performance, synthesizing ancestral and technologically emergent techniques, and bridging human and botanical consciousness, to offer alternative modes of perception. Symphosynthesis utilizes bio-sonification methods and reimagines them within a culture of aesthetic intelligence.

Synonyms: Biosonification, Bioelectrical signal transduction



Meta-Interiority (n.): The recursive practice of observing and analyzing one’s internal states with awareness of the act of observation itself. It describes a layered consciousness in which the self becomes both the site of experience and the observer of that experience. Within this loop, perception and reflection co-generate meaning, mirroring the shift from first- to second-order cybernetics, where feedback systems are understood to include their observer, forming an interior circuit of self-aware cognition.

Synonyms: Reflexivity, Metacognition, Second-order observation, Phenomenological reflection



Meta-Cybernetics (n.): the systemic extension of Meta-Interiority as the study of how awareness organizes and evolves through networks of relation. It traces how inward perception mirrors and scales into culture, language, technology, and planetary intelligence.

Synonyms: Recursive systems theory, Complex adaptive system (CAS) theory, Autopoesis


Terms Redefined:Computational Anthropology: the study of how computational systems perceive and model human identity and culture through the data we produce and the frameworks we design. This practice reverse-engineers the machine’s gaze to expose the feedback loops between the mechanomorphic legibility of human behavior and the anthropomorphic metadata that, in turn, shapes our social imaginaries.

Exhibited atMontclair State Gallery (2025), Intelligent Mischief’s Futures of Repair (2025), Black Beyond’s Warpmode at Pioneer Works (2025), Kinfolk + Brooklyn Bridge Park (2025), Venice Biennale in Architecture (Armenia’s Pavilion, 2025), The Bronx Museum of Art (2025), Museum of Modern Art in NYC (2025), Museum of the Future in Dubai (2024), Montclair State Gallery (2023), The Museum of Moving Image (2022), Sundance Film Festival | New Frontier (2021), and The Studio Museum in Harlem (2020), New York University (2018), University of Maryland (2014)



Awarded by
The Eames Institute’s Curious 100 (2025), USA Artists Fellowship Nomination (3x - 2021-2024), New York University’s President's Service Award (2018), Urvashi Vaid / Melinda Paras Inclusive Programming Award (2018), Tisch School of the Arts Dean Fellowship (2017 - 2018), and (unexpectedly) the Bollywood Film Festival for Best Cell Phone Cinema Short (2018), 



Teaching
From 2018-2025, Ari has taught 26 predominately graduate-level university courses at New York University’s Interactive Telecommunications Program (ITP), Department of Photography (DPI), and the Interactive Media Arts (IMA) Low Res Program | Pratt Institute‘s Communication Design Program | Hunter College’s Integrated Media Arts (IMA) Program | The New School’s/ Parson’s School of Design Transdisciplinary Design Program | University of Maryland’s Studio Art and Immersive Media Design (IMD) Program | and Rutgers University’s School of Design


Courses she has designed and taught include: Designing Club Culture (NYU), Electrotecture (NYU), Afrotectopian Ecologies (NYU), Sounds of a Revolution (Hunter), Myth, Rituals, and Sound (Hunter), Creative Experiments with AI (UMD) 



Keynote/
panelist
SXSW, MozFest, Google Design’s SPAN, Harvard, MIT Media Lab, SVA, Rochester Institute of Technology, University of Oregon, Fordham,  ArtCenter, California College of the Arts, Carnegie Mellon University, DePaul University, the Pratt Institute, Univ. of Wisconsin, University of Chicago, University of Tennessee, Georgia State, Geneva School of Design, Pacific Northwest University, Whitman College, SUNY Fredonia, Queens College, Wesleyan University, University of Denver, Today at Apple (5th Avenue, NYC), Dubai Future Forum, Sundance Film Festival, NYC Design Pavilion, Simons Foundation, EYEO, Knight Foundation, New Museum,  Anderson Ranch Arts Center, IDEO, Code/Art, Cooper Union, Black Portraitures, TUMO, Eyebeam, ACM Symposium on Computational Fabrication,  International Center of Photography, Iterations.Online, Women of Color in Engineering Collaborative, Design Academy Eindhoven (Netherlands), The Apollo Theater, Instrument, Kinfolk Foundation x  Brooklyn Bridge Park, Montclair State University, Futuresss, Eyebeam



Residencies/
Fellowships

Pioneer Works’ Working Artist Fellowship (2025), University of Maryland’s Inaugural Arts for All Artist-in-Residence (2024), ONX New Media Artist (2020), New York Live Arts Artist in Residence (2020), Maryland Institute College of Art Artist-in-Residence (2020), New York University’s Tisch School of the Arts Inaugural Future Imagination Fund Fellow (2020), New York University’s Interactive Telecommunications Graduate Program Human-in-Residence (2020), Pioneer Works Technology Resident (2020), Eyebeam’s Rapid Response Artist Fellow (2020), New Inc + Nokia Bell Labs + Rhizome Experiments in Arts and Technology Artist (2019), Culture Hub Technology Resident (2019), Laundromat Project Create Change Fellow (2019), University of Denver’s Center for Open Source Arts Inaugural Contributor-in-Residence (2019), New York University’s Interactive Telecommunications Program “Postdoc” Research Fellow (2019), Processing Foundation Fellow (2018)               


Juried
Prix Ars Electronica, New Media Animation (2024, 2025)

Creative Capital Award Panels (2020–2022)

United States Artists, Knight Art + Tech Fellowship (Inaugural Jury 2021)

Interaction Design Awards (IxDA) Jury (2020)





Commissions / Consulting
The New York Times (Animation Artist)

GIPHY (Animation Artist)

The National Endowment for the Arts (Writer)

Carnegie Museum of Art (Writer)

Vera List Center for Art and Politics, The New School (Writer)

NYC Department of Education (Curriculum Advisor)

Creative Capital (Community Design Consultant)

Apple’s Made in NYC Mentorship Program (Mentor)









Last Updated 25.7.1

Keynotes on Art/Research Practice
2023-2024












Keynotes on Art/Research Practice
2023-24
Select list of keynotes sharing research on:
- Critical and imaginative uses of AI
- New Media and Studio Art
- Computational Anthropology
- Psychoanalysis to Mythopoesis
- Artistic ontologies
- Consciousness

Sites:

- Rochester Institute of Technology |
A2RU Closing Keynote
- Parsons School of Design | Design and Technology (video)
- Montclair State University (video)
- MIT Media Lab | Future Sketches (video)
- WhatIf Summit (video)
- The Host.is (video)








© ARICIANO 2025